Articles
R. S. Thomas, Siôn Cent, and ‘the buggeration of it.’
M. Wynn Thomas
2023-09-04 Volume 10 • Issue 1 • 2023
Prince Jenkin Saddler, Hector Bebb and ‘another kind of love’ in Ron Berry’s So Long, Hector Bebb (1970)
John Perrott Jenkins
2023-09-04 Volume 10 • Issue 1 • 2023
Constructions of Cosmopolitanism in the Making of Welsh Writing in English
Hywel Rowland Dix
2023-09-04 Volume 10 • Issue 1 • 2023
‘My Poetry and the Goddess’: Robert Graves, Tony Conran and Welsh goddess poetry
Matthew Michael Smith
2023-09-04 Volume 10 • Issue 1 • 2023
‘Uncertain notice’: Unearthing Wales in William Wordsworth’s ‘Simon Lee’ and ‘Tintern Abbey’
Matthew C. Jones
2023-02-13 Volume 9 • Issue 1 • 2022
A Quest for ‘Feminine consciousness’ in John Cowper Powys’s 'Porius'
Robin Wood
2022-09-28 Volume 9 • Issue 1 • 2022
The Pulpit's Audible Shadow: Sonic Experience in Deborah Kay Davies's Tirzah and the Prince of Crows
Ed Garland
2021-04-01 Volume 8 • Issue 1 • 2021
Investigating Genre and Gender in Menna Gallie’s Strike for a Kingdom (1959)
John Perrott Jenkins
2020-11-17 Volume 7 • Issue 1 • 2020